Whole Class Poem: A Publication Celebration

This year, instead of a publishing celebration with food and a stage for students to stand on while reading their writing, I tried out a new approach: the Whole-Class Poem. The gist of the celebration is that each student chooses the best line (best can be defined by the teacher, by a rubric, or by the students) to add to the whole class poem. We begin by sharing the lines. Then we read the poem aloud. Students offer changes to the order of the lines, and we read through it again. We repeat the order-adjusting step until we all feel satisfied with the sound of the work. Then, we do read in unison.

For the first full week of school, my students read “My Name” by Sandra Cisneros.  Together, we analyzed the text for meaning, structure, and style. After, I modeled how to brainstorm ideas for each of the three sections in the piece, and then brainstormed about their own names and drafted a My Name piece with three sections.

Students then draft their pieces based on their brainstorms, and I have writing conferences with each. This gives me a better pre-assessment of where their thinking is and where their writing is, so I can problem-solve around closing the gap between thinking and writing, and push both forward. We revise and edit, using the same structure as Speed Publishing Week. Then, we celebrate!

My goals for the celebration were:

  1. Every student reads aloud at least one sentence.
  2. Every student reads the finished pieces of four other students.
  3. Our class experiences the draft-revise-final writing process in real time, together.

To begin, the desks and chairs, usually situated in groups of four, were rearranged into a large circle. Each student found the desk with their name on it and sat down with their final draft, reading it silently in their heads.

After three minutes of silently reviewing their own drafts, I taught them about the post-it compliments that we use to praise one another’s writing. All students wrote their initials in the corner of five post-its. I introduced students to three sentence stems they could use to comment on one another’s writing.

Community Reading + Compliment Post-its

We practiced writing two compliments together for a selected piece of student writing–I chose one that had a few mistakes, and we practiced pulling out the positive. Then, each student moved three desks to the left. They had four minutes to read work and write their compliments. We rotated through four different drafts. Students could use their fifth post-it to write an extra compliment for a draft when they had extra time. Finally, students returned to their own drafts and read through their compliments.

Whole Class Poem: Drafting

In the second phase of the celebration, we created a whole class poem. The title of the poem was “Our Names” and the byline was the class’s cohort title. First, each student used a colored highlighter to highlight the most descriptive line from their writing. Many students were guided by their peers’ compliments. For example, “The most descriptive part of your writing is…” stem supported students who were not as easily able to choose the best line for themselves.

After highlighting, the whole class stood. I asked students to raise their hands if they thought that their line would be a good start for our whole class poem. That student read her line out loud and I typed it into a google document that was being projected in real time. After reading, that student sat and the student on the left of her read her best line. We repeated this pattern until every student had contributed a line to our whole-class poem.

Whole Class Poem: Revision

Once the poem was drafted, we moved into the revision stage. One student volunteered to read the poem aloud, and other students were prompted to listen for lines that could be moved to make the poem flow more naturally. As the student read, other students were tracking with their eyes and making mental changes based on the projected poem. After the read-aloud, four students suggested changes, and I copied and pasted in the google draft to accommodate their recommendations. We repeated the read aloud and revise process one more time to get a final draft.

Once we had a final draft, we did a choral read of our whole class poem, and the next day it was posted on the bulletin board for the whole student body to read. Each student contributed a piece of their writing to the whole-class work, and each student could proudly explain the content of the board and how the work was created. Not only had students completed one piece of writing in the first two weeks of school, they had contributed to two, framing writing as a large part of the work that we will do together throughout the seventh grade.

At the beginning of each school year, all teachers have the responsibility to build a classroom community that is a safe place to learn and grow, to make mistakes and take risks, to make new friends and try out new sides of oneself. I find that I come to know students better as whole people by engaging them in writing tasks that encourage them to share dimensions of their stories and identities. What’s more, when the time for celebrating finished pieces of writing arrives, students have the opportunity to learn new things about one another, to ask questions, and to find similarities and differences that encourage an empathetic classroom. This sets us up for a year of productive learning and growing as a community.

Dear PenPal: Reading Conversations Across Boston

We are two middle school ELA teachers who teach in different neighborhoods in the Boston Public Schools. Through our WritingIsThinking collaboration, we created an Independent Reading Pen Pals Program for our students. Beginning in October, students from each class write and address letters to students in the other class across the city several times throughout the year. At the end of the year, the two classes will come together and meet one another. The following is the first in a series of posts about our process of collaboration, the blooming relationships between PenPal writers between our classrooms, and our learnings. 

penpal letters

Post 1: The Preparation

Dear Kat,

I haven’t been able to stop thinking about our conversation yesterday when we talked about creating an Independent Reading Pen Pals program between our classrooms. I’m imagining a new kind of authentic engagement from our students with their independent reading books. Plus, an authentic Pen Pal letter definitely beats a typical reading response that I’ve been using in my classroom the last few years. As we make this idea into reality, we should keep the goals we talked about at the center of our work.

The first goal we set was building a community of readers across our city. We can have our students suggest books to one another, and maybe they’ll read the same book at the same time and compare their opinions. The pen pal relationship could be so crucial to the way that students approach finding their books. Maybe we can even set the expectation that they’ll meet in person before the year is out. We also talked about authentic accountability for independent reading. Because students will be “real” with one another, we will have insights as to how our students are thinking about text  and that they will select challenging texts to impress their pals. They won’t only be doing the work to please us as their teachers, but to be able to have a conversation with a peer. Finally, we spoke about the individualized nature of letter writing, and how we want kids to value the letter because it is something that another person put time into that was created just for them. This will augment engagement and make for long, fluent letters by the end of the school year.

I can’t wait to kick this off! Talk soon.




Dear Alice,

I hope these lines find you well. I am ecstatic for my students to write to yours this week! I have been talking about our upcoming partnership with my students for the last four weeks, and now the time is finally here! To help us match pen pals, I thought it would be easiest to create an excel spreadsheet in Google drive. I have inputted all of my students and some information about them that would help us match pen pals. For each student I included some of their interests based on their “Meet the Author” pieces, the types of independent reading books they have been reading thus far this year, if they have an ELD or SPED code, and some other details about what they would bring to a pen pal relationship or what I would ideally like for them to get out of one.

I have been thinking a lot about the potential these partnerships have to lift many of my students, both in regards of engagement in reading, and friendship. Here are a few of the students I am most excited for:

  • Mitchell: A sweetie-pie. He is a big kid who loves the Celtics and spends all of lunch making free throws. He is a little lonely (social pragmatics challenges) and all of his realistic fiction stories this year center around kindness and accepting everyone. He works really hard and will be a very diligent writer. I think matching him with someone who can really affirm him will be powerful!
  • Daniela: Her disability and language needs are compounded which makes her writing very challenging to read. She does produce a lot of writing in volume though. She loves animals and wants to be a vet. I will provide her with appropriate scaffolding and read her letters with her before she sends them. I would pair her with someone who is either at a similar level or has some empathy. 🙂 She loves and is currently reading the graphic novel Drama.
  • Sergio: Loves football, has a very low self esteem with regard to writing, but is a strong writer. Pairing him with someone who will ask questions and push his writing would be awesome!!!

I have also been thinking about a few of my students who have been struggling to get into independent reading this year and whom I believe this partnership could engage. I think we should be prepared that the first few letters may not be book related at all, but may just get kids writing! They may just want to talk about social topics, but I think that’s ok, as building a sense of community is one of our objectives. I think we can teach into writing about reading comprehension once the engagement is there. One of my students is constantly on my mind when I think about a need for community, and for engagement in text:

  • Armondo: Our toughest Tier 3 kid this year. He needs a lot of love and someone to listen to him. Mom just had a baby. He has been reading the Simpsons comic books this year. He hates doing assigned tasks, but I think will respond well to someone who is focused on just him. 🙂 Would benefit from having a pen pal who models what letter writing should look like. He loves football and basketball.

Since our schedules are so packed and we aren’t able to meet face-to-face before I launch the letter writing in my classroom this week, I propose we use google docs to match pen pals. Why don’t you use your class roster to try and match students based on your knowledge of your students and what I have included in the google doc. If you need any clarification on any of the students, let me know!




Dear Kat,

That google doc was the perfect idea. I matched my students in column D of the spreadsheet and, if I thought there were things that you should know about that particular student, I noted them in column E (IEP needs, language information, etc). I’ve also been talking about this relationship for the last four weeks, so kids are itching to hear from your students.



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Screenshot of google doc used by teachers to match students based on interests, strengths, and needs.

Book Review: Teaching Spelling to English Language Learners

Teaching Spelling to English Language Learners, Johanna Stirling, Lulu: Raleigh, 2011, 279 pgs.

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Johanna Stirling’s Teaching Spelling to English Language Learners advocates for explicit spelling instruction as a tenet of writing instruction for students learning English as a Second Language. Stirling views poor spelling as an obstacle to language development, but also sees it  as a hindrance to future educational and career opportunities.

Stirling sets out to present a new look at an old and infamous problem – the spelling conventions of the English Language. She examines the complex orthography of the language, and she offers educators with instructional strategies that address English spelling.

Additionally, Stirling indicates the importance of spelling skills to producing quality writing plainly stating: “…if you are too busy concentrating on spelling letter by letter, your brain is unlikely to be at its creative or intellectual best.”

Teaching Spelling to English Language Learners is divided into three main sections. Part A provides an overview of the challenges of teaching and understanding spelling. Part B presents an approach for instruction in spelling. Part C offers more than 50 instructional strategies for teaching spelling, most of which are interactive, engaging, and multi-sensory. The intended audience for this book is teachers of adolescent and adult English Language Learners as well as teachers of struggling readers and writers who are native speakers of the language.

I chose this book because it appears to be the only comprehensive text on the subject of spelling for English Language Learners. There are only a limited number of scholarly articles that address this topic specifically, so it did not surprise me that there were only two books available through amazon.com on the subject.


Personally, Teaching Spelling to English Language Learners provided me with a deeper perspective on the emotionality that poor spellers experience with writing. Chapter 15,  titled “Tackling Psychological Barriers to Writing”, provided me with a better insight and empathy towards the frustrated learner of English spelling. I myself have always been a good speller and reader, but I know that in my practice it is important to be able to view literacy tasks through the eyes of my students.

Indeed, this year especially, working with a group of middle school students whose struggles with literacy have previously been ignored, I have personally witnessed their reactions to their low self-esteem around language learning. My students absolutely employ all of the “face-saving strategies” detailed in the chapter: “avoiding writing altogether (so they can’t fail), blaming others for their weaknesses, denying that there’s a problem, or just making out that they don’t care”.

This descriptor helped me contextualize my students’ behaviors and I have been deliberate and strategic about addressing the emotionality by using the strategies Stirling lays out in my lesson planning and instruction: assessing students’ spelling abilities, conveying enthusiasm and providing positive encouragement, connecting spelling to authentic texts, and explicit teaching about English spelling patterns.

I very much enjoyed Chapter 3, “A Brief History of English Spelling”. Although I have read bits and pieces about this subject, Stirling provides a very clear and concise overview of English’s evolution from Old English to Modern English, which includes information on how pronunciation and handwriting over time has affected our spelling system. Stirling clearly demonstrates that there are “historical explanations for many of the apparently irrational and complex forms of English spelling”, and, indeed, it is empowering to know how English evolved and came to its complex orthography.

A very clear pie chart at the end of the chapter shows the origins of current English words: 26% Germanic, 29% French, 29% Latin, 6% Greek, and 10% Other. Reading this chapter and viewing this data prompted me to not only check out Wheelock’s Latin from the local library but also to revisit the Duolingo app’s French language program in an effort to increase my understanding of English.

Language is a tool that we use so much, we do not often analyze it or think of it as simply another, albeit highly complex, technology. In a historical context, however, one realizes that language is indeed a human invention, and is therefore ever-evolving and subject to political and sociological influences. This is a powerful realization as a language teacher because it makes it clear that what we should truly focus on are the mechanisms of the language system and engaging our students in analyzing and manipulating them. Regarding language as a tool with a history and sense of flexibility makes it far less daunting than simply accepting and memorizing abstract rules and facts without understanding their origins.

Professionally, I appreciated Stirling’s “polysystemic” framework of English Orthography. She organizes her discussions of language and spelling around 5 separate systems: phonological, graphemic, etymological, lexical, and morphological. Stirling dedicates one chapter to each system, and she provides concrete examples of spelling patterns based in each.

Stirling also provides clear insights about the interconnections of these systems, and she is definitive about how these systems interact with one another. For example, she states: “Etymological factors often take precedence over all the other systems of English orthography”. She then goes on to detail orthographic patterns from Old English (wh-, kn-, -gh, aw, ow), Latin, and French. Stirling also challenges the ever-popular yet non-sensical “sound it out” strategy by evidencing that only about 50% of English words are phonetically spelled.

I especially appreciated Stirling’s attention to the lexical or “purely visual” system of English, which emphasizes “similar spellings of words with related meanings”. This system is frequently and shamefully overlooked, even in post-graduate courses for reading specialists and speech language therapists.  Yet, the lexical system provides a bounty of connections among words in our language. For example, the word “sign”, which comes from the Latin signum (mark, token, indication, signal), forms lexical connections to at least twenty words, including signature, design, signify, resign, and assign.

One weakness I found in the text was Stirling’s lack of knowledge around assessment of existing developmental spelling tools. Although Stirling offers some self-created assessments, I was disappointed and surprised that she failed to mention the widely-used Words Their Way Spelling Inventories as an assessment of developmental spelling (note: For FREE access, simply register with the Teachers College Reading & Writing Project).

Additionally, while Stirling does indicate short vowels, vowel digraphs, and silent-e syllables as common trouble spots for ELLs, she makes no mention of the six syllable types: closed, open, silent-e, r-controlled, vowel team, consonant-le. Since Stirling advocates that we maximize awareness of the language systems of English, not mentioning the six syllable types feels like a glaring omission.

Conclusions and Evaluation

Teaching Spelling to English Language Learners is an essential read for anyone who teaches writing to struggling learners in grades 3 and up. It is clear, concise, and well-organized, and the strategies in the book can be easily implemented without any special materials or programmatic structures. I think that this book is impressive because it provides such a wide-ranging overview as well as very practical, multi-sensory, and engaging strategies that can be used right away in the classroom.

This book makes a wonderful pairing with the scope and sequence laid out in Marcia Henry’s Words. In my own classroom, I have been using Words as a resource for generating word lists from a class novel. I then use the instructional techniques from Teaching Spelling to English Language Learners to create my lesson plans. The pairing of these two books makes for a dynamic duo that allows my students to make progress with their spelling in an enjoyable way that is connected to the texts we are reading in class. Since the beginning of January, my students have demonstrated mastery of consonant blends and consonant digraphs and trigraphs, and I can see their confidence growing as they discuss and apply their metalinguistic knowledge.

I highly recommend this book to educators seeking to enhance word-level writing instruction in their classrooms. It is a quick read, and it will become a go-to reference for engaging spelling instruction. Stirling’s http://thespellingblog.blogspot.com/ offers supplemental resources for the book, and her website English Language Garden provides additional articles and materials for ELL teachers.


Analysis of ELL Writing Calls for Spelling Intervention

The inquiry work described below is an Analytic Memo assignment that I completed for the Boston Teachers Union’s Inquiry Project course.  I am a member of the 2015/2016 cohort of this teacher-facilitated inquiry program. This memo provides an analysis of two student writing samples: sympathy cards to President Hollande following the November terrorist attack on Paris and essays that describe Sarah Hale, the  “Grandmother of Thanksgiving”.

My goal for this school year is to improve the written expression of my middle school ESL students. I aim for my students to develop writing skills that allow them to not only fully express their ideas but also to deepen their thinking through writing. As a 9th year teacher who has always worked with ELL students, in both ESL classes and content classes, I have noticed that writing is complex for these students at the word, sentence, and discourse levels.



In the past, I have had success in developing students’ writing skills through reading response pieces with a variety of texts as well as process writing tasks with authentic audiences (i.e. a class book of personal essays titled “How I Make Boston Strong” for the Boston Police following the Boston Marathon Bombings; argument essays on the benefits of tap water over bottled water for the Massachusetts Water Resources Authority Writing Contest). My teaching strategies included setting a clear purpose and audience for writing with students, modeling using transparencies and an overhead projector, using a combination of handwriting and word process technologies for draft writing, teaching techniques for writing hooks and adding details to sentences, facilitating peer editing, using student-teacher writing conferences, and, most importantly, providing lots of time for writing in class.

Although these techniques have been effective, I am always searching to learn more about how to work with students on their writing because I view writing as an essential life skill. I know that my students will be judged on their ability to write in the future, whether in academic settings or in workplaces. From collaborating with the middle school English Language Arts teachers at my school, I know that my current ESL class is composed of students who have struggled significantly with written expression. Their ELA teachers report that these students produce poor writing during their English Language Arts classes, and many of the students are long-term ELLs, having attended monolingual “English-only” education programs since kindergarten.

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My First Inquiry Question

Before getting to know my current batch of students, my question for inquiry relied on my past experience of having shorter-term ELL students who constructed mostly simple sentences in their writing:

Through what metacognitive and multisensory means might students enhance the variety of grammatical structures they employ in their writing?

My students in previous years had been coded as ELLs for 3 to 5 years, and they often simply needed daily writing practice and more exposure to English in order to produce more complex sentences.

However, upon analysis of my current students’ work habits and abilities, I realize that my current students are quite different. They have more writing stamina; even when given permission to check in with a friend during writing practice, they do not even whisper to one another. They remain, for the most part, completely focused on the task at hand. Consequently, they are able to produce a sufficient volume of writing. So, what exactly is holding them back from meeting the successes I have seen with students in previous years?


The WIDA MODEL Framework

Using the introductory materials from the WIDA MODEL writing assessment has helped to clarify and categorize the specific concerns most relevant to written expression for ELLs.The MODEL recognizes that it is acceptable for ELLs at the beginning and intermediate level to use copied sections of text as well as adapted (paraphrased) text in written expression as they are learning how to use the English language. However, the MODEL also maintains that the end goal is for students to produce written language that is original in both content and form, just as is expected of native English speakers.  The MODEL evaluates student writing based on three major components: linguistic complexity, vocabulary usage, and language control.

Linguistic complexity refers to the quantity of language produced. At the sentence level, are sentences simple subject+verb+object constructions, or are they expanded from this basic kernel? At the discourse level, are paragraphs organized with topic, body, and conclusion sentences? Is the presented sequence of information or order of events logical? How much does the student write in a given time frame?

Vocabulary usage refers to the variety and sophistication of words the writer uses. Are the words general high-frequency words or more specific “Tier 2” vocabulary? Are students capable of using content-specific technical vocabulary in their writing? Are the same vocabulary words repeated, or are there synonyms that add variety to the writing?

Language control includes not only grammar (morphology and syntax) and mechanics (spelling, punctuation, and capitalization), but also precision with word choice. Is the student using precisely the right word in precisely the right place in the language sequence?

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Close Reading of Student Writing

With the lens of the MODEL in mind, I took a close look at two writing assignments from my current students. The first writing assignment was a short essay on the life and accomplishments of a historical figure. Students had about half of a class period (30 minutes) to complete this assignment. The second assignment was a sympathy letter to French President Francois Hollande following the recent terrorist attacks in Paris. This assignment was completed over two class periods, and it required students to write a rough draft as well as a final draft.

Link to Google Doc with Analysis Notes

On a positive note, I was impressed by the expanded sentences that many students employed in their writing. However, I was struck by the lack of conventions in spelling, particularly those related to morphology in areas such as pluralization (i.e. countrys – This student did not automatically know to “change the y to an i and add “es” or makeing – This student did not know to “drop the e and add -ing”.) I wonder how much their writing would improve with greater use of conventional spelling.

It must be exhausting for the students to constantly have to guess at the spellings of words. Imagine how much this slows them down and interferes with their abilities to get their thoughts down on paper. For example, S. is working so hard to spell so many words through application of sound-symbol correspondence; however, this is typical of a 1st grade monolingual emergent writer, and S.is a 6th grade student who has been in the Boston Public Schools for 7 years. A., due to either spelling or vocabulary, gives up on producing original ideas and relies on copying chunks of text. I wonder if the students are even aware how much their spelling interferes with the meaning in their writing. Do they know that their spelling is irregular and would not make sense to a non-teacher reader?

Other points that struck me were lack of attention to capitalization and use of periods, as well as the erratic placement of commas. Can the students internally sense the phrasing of their writing – do they “hear their writing breathe”? When they read independently, are they able to sort of the rhythm and structures of phrases as they read? Do my students read aloud fluently? Can they mark or scoop a sentence for its breath?


My conclusion is that my students need support with writing conventions in order to improve the decisions they make about the marks they are putting on the page. It is tempting to ignore their errors and move forward with the “fun” of teaching the content of reading and writing. However, I would be ashamed had my students gone through this year with me, a professional and experienced educator, recognizing this problem and doing nothing about it, especially since my training as a reading specialist did give me some background in multi-sensory strategies for teaching encoding. So, I must plan a course of action that supports my students in developing as writers.

My Second Inquiry Question and My Plan

First, I have revised my inquiry question:

Through what metacognitive and multisensory means might students enhance their use of conventional spelling and punctuation in their writing?

Second, I have a few resources I would like to use with my students, including the spelling and word study curriculas Words by Marcia Henry and Language! by Sopris Voyager, as well as the secondary grammar text Grammar Explorer by Cengage.  I also want to explore expanding the 1:1 encoding techniques I learned as a student at the MGH Communication Sciences & Disorders Clinic for use in whole class classroom context.

Screen Shot 2015-12-06 at 12.40.50 PMI plan to conduct a better analysis of which syllable types they struggle to encode by assessing my students using the Moats Primary Spelling Inventory. Finally, for my research articles as well as my book review, I want to seek out resources on spelling and conventions instruction for ELLs.

Right now, the goal of teaching spelling and conventions to middle school ELLs seems tedious and daunting, but I know the students really need it. I am making a promise to myself to ensure that the work ahead is engaging, connected, and relevant to my students, as I know how much they need these spelling and conventions skills for their future. Readers of their job applications and college admissions letters will be extremely distracted by the form of their writing as it is now, and most will infer that incorrect conventions are a sign of weak ideas and arguments. If this problem is not fixed, it will have future consequences for the 15 children in my classroom.


Writing Is Thinking Book Review: How to Write a Sentence and How to Read One by Stanley Fish

Stanley Fish’s How to Write a Sentence and How to Read One serves as a guidebook for sentence writing as well as a model of analytical thinking for sentence reading. Full of appreciation for the English language and the craft of master authors who employ its nuances effectively, this short volume presents examples, analysis, and instruction in sentence writing using mentor sentences collected from English writers in the past half-millennium, including George Eliot, Henry James, Gertrude Stein, George Orwell, and Anthony Powell.

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Fish begins with the thesis that emerging writers who are learn the craft of sentence creation should begin with syntactic forms without regard to content, similar to the way that beginning pianists practice scales, arpeggios, and finger exercises. For the beginning sentence craftsperson, content can be a distraction; students first need to understand the tools of the trade.

Fish goes on to describe the three types of sentences, provide models from regarded writers, and give step by step instructions on how to write them. The two more formal structures are the subordinating sentence, which lends itself to ranking, ordering, and sequencing, and the additive sentence, which gives an impression of flow and flexibility. A third category is the less-formal, satiric sentence, which writers employ as a means of slyly critiquing individuals, groups, and social structures.

I really enjoyed the exercises suggested by Fish, and I found myself in a moment of flow and creative space as I worked within Fish’s expert guidelines to develop my sentence craft. The photo below shows my work with following Fish’s directives based on a model sentence by Ford Madox Ford to craft a non-contextualized sentence in the additive style, which resulted in the following sentence:

The bright dresses, patterned with tropical flowers, flowing and gliding from place to place on the parquet tiles, the conversation from each table vibrant and lithe, the children watching from the courtyard windows angling to hear the voices of their mothers, so ordinating in the daytime, punctuating the night with words, not about their children, but about their other non-mothering lives.

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In later chapters, Fish gives examples and analysis of effective first and last sentences, such as the succinct yet haunting ending of Orwell’s 1984: He loved Big Brother. He concludes by offering a simple equation that argues for the value of crafting sentences as a means to support reading comprehension and a love of language:

sentence craft = sentence comprehension = sentence appreciation

As I worked through this book, with my pen and notebook close at hand, I felt a sense of tremendous exploratory and creative freedom to write with content pushed aside. I felt like a true and authentic writer, allowed to polish my technique and encouraged by a masterful and analytical reader. This book would be a wonderful choice to explore during teacher professional development as it models how teachers, as readers and writers, must be able to talk about language with their students – with careful attention to its craft and structure, with passion and exuberance, with a wide knowledge of writers and writing.

As a middle school writing teacher, I can envision the writing classroom as a type of makerspace for sentence construction. Empowered with the tools of and process for sentence construction, the students become crafters of language. Having experienced deep analysis and discussion of effective sentences, middle schoolers will have the capacity and space to invent their own syntactic constructions.

Sentences are an essential link between vocabulary and discourse in reading and writing, and How to Write a Sentence and How to Read One amplifies the importance of understanding sentence craft and structure in order to fully understand the aesthetics and craft of the English language.

Harper Collins Web Sampler: How to Write a Sentence and How to Read One by Stanley Fish