“Reading” Murals

As a part of taking this project back to our Humanities classrooms in Boston, we are always thinking about how stories, quotations, and language arts connect to the imagery and symbolism in the murals we see. In Chicano Park especially, we noticed the use of single words, short quotations, slogans, and longer poems/pieces of writing on the pylons. Reading these words directs a viewer’s seeing of the mural, both narrowing and widening what can be seen, providing a focus through which to view. Below are some examples of how words are used by Chicano Park muralists in their designs.

A portion of the identity unit that we are designing based on our travels and learnings this summer will include reading mentor texts on the theme of borders and walls, followed by students writing their own personal memoirs rooted in this theme. Inspired by the murals in the photos above, one strategy we plan to use with our students is to ask them to choose the words and phrases in those mentor texts and the narratives they themselves (and their peers) create to bring to life in mural form, to be displayed on walls in our Boston communities.

In Solidarity,

Kat + Alice

 

Paredes Que Hablan: Language Arts on the Borders

Happy summer, everybody! Our brilliant WritingIsThinking colleague-friend Christina Kostaras once wrote a post about teacher summers and how they are a necessary part of the work we do. We use them to get smarter at our jobs, to make ourselves better for our students in the coming year. Christina says we do this because our students deserve “absolute greatness. Always.” I couldn’t agree more.

FFT-Fellow-PlacardThis summer, my colleague Kat and I received a Fund for Teachers grant for our project Paredes que Hablan. Here are some excerpts from our proposal that explain what we plan to do:

As urban teachers for Boston Public Schools, we work with a diverse student body. Over 80% of our students are classified as high needs, over 60% of our students are English Language Learners, and over 40% of our students have special needs. Our students cross borders every day…Every time these young people change spaces, they must reconcile their identities and pasts with their presents and futures. We know that in order for our students to truly succeed academically, they must see mirrors of themselves in our curricula–art, poetry, and text–and validation of their identities in our classrooms.

…This project seeks to build a robust first unit across two schools in Boston that will provide students opportunities to explore the multitude of ways that activists develop their messages and make themselves seen and heard. Students will begin to understand how the personal is political while exploring multimedia resources, all the while developing visual thinking, close reading, questioning, flexible thinking, executive functioning, understanding of audience, and empathy skills that will serve them as they explore texts for the rest of the school year and the rest of their lives.

Our project proposes, at its culmination, to surface these crossings and to give students critical thinking tools, opportunities, and resources to grapple with the complexity of personal identity in multiple spaces. Through art, poetry, and text, students will have multiple ways to enter this conversation about identity, simultaneously seeing themselves–their ideas, their pasts, their futures–in literature, the school community, and each other.  At the end of this unit, students will create multiple responses to the question “How do we show other people the depth of our past and the strength of our future?” that leverage the knowledge collected during this project. They will write, draw, compose, and record their responses.  They will also design a mural that encapsulates the border crossing they do each day.

To gather resources and knowledge for this project, we propose to spend 22 days exploring “literary arts on the border” with a focus on mural creation, zooming in on the many Latino cultures from which our students are rooted. Our project will take us to California, Arizona, and New Mexico to examine murals and artwork that are products of, and in many case images of, immigrant experiences. Along the way, we aspire to interview artists and collect resources about the artists’ diverse creative processes. During the first two weeks of our project, we will visit San Francisco, Los Angeles, Tucson, and Santa Fe, visiting murals and the artists/artist collectives from which they originated. We will also visit museums that capture different experiences of immigration, as well as centers of immigration in different cities.

The second part of our project will take place on the border between Haiti and the Dominican Republic, where a mural project was completed in 2014. We will spend a week in Haiti and the DR discovering everyday culture that will allow us to better understand both the artwork created on the bridge between the two countries and the identities of many of the students in our classrooms.

…Walls and borders often give people places to hide. We hope to use this project to reframe the divides that exist in our classrooms, school systems, and cities, so that students can see how sharing identity and stories creates rather than destroys.

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Above is a map of each of our stops, and below is an overview of our itinerary with some of the highlights from each stop. We’ll post in detail about each stop along the way.

Location/Dates Important Stops
San Francisco, CA

July 4th-7th

Precita Eyes Murals

Galeria de La Raza

67 Suenos

The Mexican Museum

Los Angeles, CA

July 7th-9

The Art of Indigenous Resistance Exhibit

Los Angeles Mural Mile

Los Angeles Immigration Center

San Diego, CA

July 9th-11th

Hands of Peace

Chicano Park (and this link, too!)

Galeria de la Raza

Tucson, AZ

July 11th-13th

Meeting with Dr. Curtis Acosta

Tucson Mural Arts Program

Santa Fe, NM

July 14th-16th

Indigenous Arts Festival

Art and Remembrance

Mexico City, MX

July 16th-23rd

Museum with Indigenous Ruins

Teotihuacan Ancient Ruins Day Trip

Toluca Day Trip (50 mins) Stained Glass Murals

Frida Kahlo Museum

Diego Rivera Museum

Puerto Plata, DR

July 23rd-30th

Border of Lights

 

Here’s to a summer of sunshine, new places, and teacher-driven learning,

Alice + Kat

Life Under a Dictatorship – UDL in Action

Over April Vacation, I taught English Language Arts to 7th grade students for four days at the Timilty Middle School in Roxbury as part of the Acceleration Academy program. The Acceleration Academy is an additional week of academic instruction and enrichment activities provided for students at selected schools

While I have taught in the Acceleration Academies for several years, in both Boston and Lawrence, this year was quite different in terms of curriculum. In the past, the Academies have focused on preparation for the MCAS exams, and each teacher planned his or her own sequence of instruction. This year, however, a group of teachers (including myself) participated in Universal Design for Learning (UDL) training provided by Goalbook and created a set curriculum for the academies based on pre-selected texts .

This UDL-based curriculum proved wildly successful for my 7th grader scholars. Every scholar, within the span of the four day program, completed a final project that expressed understanding of Life Under a Dictatorship. They garnered their knowledge of this topic from selections from Julia Alvarez’s YA novel Before We Were Free and non-fiction articles on the Trujillo dictatorship in the Dominican Republic. I particularly enjoyed teaching with the curriculum because it allowed for inclusive classes in which all students, including students who are in substantially separate special education and SEI classes, could complete a cognitively demanding independent project without any teacher hand-holding. The students’ pride in their work was evident as we did a gallery walk-final circle in which each student presented his or her project to the group. One student announced over and over,”This class is LIT!”, which he explained to me meant that it was an exciting experience.

Curriculum Planning Resources

Gr. 7 Before We Were Free Curriculum Resource Document

Gr. 7 Before We Were Free Final Project Lesson Plan

Final Project Gallery

Life Under a Dictatorship Podcast

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Dear PenPal: Reading Conversations Across Boston

We are two middle school ELA teachers who teach in different neighborhoods in the Boston Public Schools. Through our WritingIsThinking collaboration, we created an Independent Reading Pen Pals Program for our students. Beginning in October, students from each class write and address letters to students in the other class across the city several times throughout the year. At the end of the year, the two classes will come together and meet one another. The following is the first in a series of posts about our process of collaboration, the blooming relationships between PenPal writers between our classrooms, and our learnings. 

penpal letters

Post 1: The Preparation

Dear Kat,

I haven’t been able to stop thinking about our conversation yesterday when we talked about creating an Independent Reading Pen Pals program between our classrooms. I’m imagining a new kind of authentic engagement from our students with their independent reading books. Plus, an authentic Pen Pal letter definitely beats a typical reading response that I’ve been using in my classroom the last few years. As we make this idea into reality, we should keep the goals we talked about at the center of our work.

The first goal we set was building a community of readers across our city. We can have our students suggest books to one another, and maybe they’ll read the same book at the same time and compare their opinions. The pen pal relationship could be so crucial to the way that students approach finding their books. Maybe we can even set the expectation that they’ll meet in person before the year is out. We also talked about authentic accountability for independent reading. Because students will be “real” with one another, we will have insights as to how our students are thinking about text  and that they will select challenging texts to impress their pals. They won’t only be doing the work to please us as their teachers, but to be able to have a conversation with a peer. Finally, we spoke about the individualized nature of letter writing, and how we want kids to value the letter because it is something that another person put time into that was created just for them. This will augment engagement and make for long, fluent letters by the end of the school year.

I can’t wait to kick this off! Talk soon.

Always,

Alice

 

Dear Alice,

I hope these lines find you well. I am ecstatic for my students to write to yours this week! I have been talking about our upcoming partnership with my students for the last four weeks, and now the time is finally here! To help us match pen pals, I thought it would be easiest to create an excel spreadsheet in Google drive. I have inputted all of my students and some information about them that would help us match pen pals. For each student I included some of their interests based on their “Meet the Author” pieces, the types of independent reading books they have been reading thus far this year, if they have an ELD or SPED code, and some other details about what they would bring to a pen pal relationship or what I would ideally like for them to get out of one.

I have been thinking a lot about the potential these partnerships have to lift many of my students, both in regards of engagement in reading, and friendship. Here are a few of the students I am most excited for:

  • Mitchell: A sweetie-pie. He is a big kid who loves the Celtics and spends all of lunch making free throws. He is a little lonely (social pragmatics challenges) and all of his realistic fiction stories this year center around kindness and accepting everyone. He works really hard and will be a very diligent writer. I think matching him with someone who can really affirm him will be powerful!
  • Daniela: Her disability and language needs are compounded which makes her writing very challenging to read. She does produce a lot of writing in volume though. She loves animals and wants to be a vet. I will provide her with appropriate scaffolding and read her letters with her before she sends them. I would pair her with someone who is either at a similar level or has some empathy. 🙂 She loves and is currently reading the graphic novel Drama.
  • Sergio: Loves football, has a very low self esteem with regard to writing, but is a strong writer. Pairing him with someone who will ask questions and push his writing would be awesome!!!

I have also been thinking about a few of my students who have been struggling to get into independent reading this year and whom I believe this partnership could engage. I think we should be prepared that the first few letters may not be book related at all, but may just get kids writing! They may just want to talk about social topics, but I think that’s ok, as building a sense of community is one of our objectives. I think we can teach into writing about reading comprehension once the engagement is there. One of my students is constantly on my mind when I think about a need for community, and for engagement in text:

  • Armondo: Our toughest Tier 3 kid this year. He needs a lot of love and someone to listen to him. Mom just had a baby. He has been reading the Simpsons comic books this year. He hates doing assigned tasks, but I think will respond well to someone who is focused on just him. 🙂 Would benefit from having a pen pal who models what letter writing should look like. He loves football and basketball.

Since our schedules are so packed and we aren’t able to meet face-to-face before I launch the letter writing in my classroom this week, I propose we use google docs to match pen pals. Why don’t you use your class roster to try and match students based on your knowledge of your students and what I have included in the google doc. If you need any clarification on any of the students, let me know!

Fondly,

Kat

 

Dear Kat,

That google doc was the perfect idea. I matched my students in column D of the spreadsheet and, if I thought there were things that you should know about that particular student, I noted them in column E (IEP needs, language information, etc). I’ve also been talking about this relationship for the last four weeks, so kids are itching to hear from your students.

Always,

Alice

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Screenshot of google doc used by teachers to match students based on interests, strengths, and needs.

Analysis of ELL Writing Calls for Spelling Intervention

The inquiry work described below is an Analytic Memo assignment that I completed for the Boston Teachers Union’s Inquiry Project course.  I am a member of the 2015/2016 cohort of this teacher-facilitated inquiry program. This memo provides an analysis of two student writing samples: sympathy cards to President Hollande following the November terrorist attack on Paris and essays that describe Sarah Hale, the  “Grandmother of Thanksgiving”.

My goal for this school year is to improve the written expression of my middle school ESL students. I aim for my students to develop writing skills that allow them to not only fully express their ideas but also to deepen their thinking through writing. As a 9th year teacher who has always worked with ELL students, in both ESL classes and content classes, I have noticed that writing is complex for these students at the word, sentence, and discourse levels.

ParisCards

 

In the past, I have had success in developing students’ writing skills through reading response pieces with a variety of texts as well as process writing tasks with authentic audiences (i.e. a class book of personal essays titled “How I Make Boston Strong” for the Boston Police following the Boston Marathon Bombings; argument essays on the benefits of tap water over bottled water for the Massachusetts Water Resources Authority Writing Contest). My teaching strategies included setting a clear purpose and audience for writing with students, modeling using transparencies and an overhead projector, using a combination of handwriting and word process technologies for draft writing, teaching techniques for writing hooks and adding details to sentences, facilitating peer editing, using student-teacher writing conferences, and, most importantly, providing lots of time for writing in class.

Although these techniques have been effective, I am always searching to learn more about how to work with students on their writing because I view writing as an essential life skill. I know that my students will be judged on their ability to write in the future, whether in academic settings or in workplaces. From collaborating with the middle school English Language Arts teachers at my school, I know that my current ESL class is composed of students who have struggled significantly with written expression. Their ELA teachers report that these students produce poor writing during their English Language Arts classes, and many of the students are long-term ELLs, having attended monolingual “English-only” education programs since kindergarten.

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My First Inquiry Question

Before getting to know my current batch of students, my question for inquiry relied on my past experience of having shorter-term ELL students who constructed mostly simple sentences in their writing:

Through what metacognitive and multisensory means might students enhance the variety of grammatical structures they employ in their writing?

My students in previous years had been coded as ELLs for 3 to 5 years, and they often simply needed daily writing practice and more exposure to English in order to produce more complex sentences.

However, upon analysis of my current students’ work habits and abilities, I realize that my current students are quite different. They have more writing stamina; even when given permission to check in with a friend during writing practice, they do not even whisper to one another. They remain, for the most part, completely focused on the task at hand. Consequently, they are able to produce a sufficient volume of writing. So, what exactly is holding them back from meeting the successes I have seen with students in previous years?

ParisLetter2

The WIDA MODEL Framework

Using the introductory materials from the WIDA MODEL writing assessment has helped to clarify and categorize the specific concerns most relevant to written expression for ELLs.The MODEL recognizes that it is acceptable for ELLs at the beginning and intermediate level to use copied sections of text as well as adapted (paraphrased) text in written expression as they are learning how to use the English language. However, the MODEL also maintains that the end goal is for students to produce written language that is original in both content and form, just as is expected of native English speakers.  The MODEL evaluates student writing based on three major components: linguistic complexity, vocabulary usage, and language control.

Linguistic complexity refers to the quantity of language produced. At the sentence level, are sentences simple subject+verb+object constructions, or are they expanded from this basic kernel? At the discourse level, are paragraphs organized with topic, body, and conclusion sentences? Is the presented sequence of information or order of events logical? How much does the student write in a given time frame?

Vocabulary usage refers to the variety and sophistication of words the writer uses. Are the words general high-frequency words or more specific “Tier 2” vocabulary? Are students capable of using content-specific technical vocabulary in their writing? Are the same vocabulary words repeated, or are there synonyms that add variety to the writing?

Language control includes not only grammar (morphology and syntax) and mechanics (spelling, punctuation, and capitalization), but also precision with word choice. Is the student using precisely the right word in precisely the right place in the language sequence?

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Close Reading of Student Writing

With the lens of the MODEL in mind, I took a close look at two writing assignments from my current students. The first writing assignment was a short essay on the life and accomplishments of a historical figure. Students had about half of a class period (30 minutes) to complete this assignment. The second assignment was a sympathy letter to French President Francois Hollande following the recent terrorist attacks in Paris. This assignment was completed over two class periods, and it required students to write a rough draft as well as a final draft.

Link to Google Doc with Analysis Notes

On a positive note, I was impressed by the expanded sentences that many students employed in their writing. However, I was struck by the lack of conventions in spelling, particularly those related to morphology in areas such as pluralization (i.e. countrys – This student did not automatically know to “change the y to an i and add “es” or makeing – This student did not know to “drop the e and add -ing”.) I wonder how much their writing would improve with greater use of conventional spelling.
ParisLetter3

It must be exhausting for the students to constantly have to guess at the spellings of words. Imagine how much this slows them down and interferes with their abilities to get their thoughts down on paper. For example, S. is working so hard to spell so many words through application of sound-symbol correspondence; however, this is typical of a 1st grade monolingual emergent writer, and S.is a 6th grade student who has been in the Boston Public Schools for 7 years. A., due to either spelling or vocabulary, gives up on producing original ideas and relies on copying chunks of text. I wonder if the students are even aware how much their spelling interferes with the meaning in their writing. Do they know that their spelling is irregular and would not make sense to a non-teacher reader?

Other points that struck me were lack of attention to capitalization and use of periods, as well as the erratic placement of commas. Can the students internally sense the phrasing of their writing – do they “hear their writing breathe”? When they read independently, are they able to sort of the rhythm and structures of phrases as they read? Do my students read aloud fluently? Can they mark or scoop a sentence for its breath?

ParisLetter1

My conclusion is that my students need support with writing conventions in order to improve the decisions they make about the marks they are putting on the page. It is tempting to ignore their errors and move forward with the “fun” of teaching the content of reading and writing. However, I would be ashamed had my students gone through this year with me, a professional and experienced educator, recognizing this problem and doing nothing about it, especially since my training as a reading specialist did give me some background in multi-sensory strategies for teaching encoding. So, I must plan a course of action that supports my students in developing as writers.

My Second Inquiry Question and My Plan

First, I have revised my inquiry question:

Through what metacognitive and multisensory means might students enhance their use of conventional spelling and punctuation in their writing?

Second, I have a few resources I would like to use with my students, including the spelling and word study curriculas Words by Marcia Henry and Language! by Sopris Voyager, as well as the secondary grammar text Grammar Explorer by Cengage.  I also want to explore expanding the 1:1 encoding techniques I learned as a student at the MGH Communication Sciences & Disorders Clinic for use in whole class classroom context.

Screen Shot 2015-12-06 at 12.40.50 PMI plan to conduct a better analysis of which syllable types they struggle to encode by assessing my students using the Moats Primary Spelling Inventory. Finally, for my research articles as well as my book review, I want to seek out resources on spelling and conventions instruction for ELLs.

Right now, the goal of teaching spelling and conventions to middle school ELLs seems tedious and daunting, but I know the students really need it. I am making a promise to myself to ensure that the work ahead is engaging, connected, and relevant to my students, as I know how much they need these spelling and conventions skills for their future. Readers of their job applications and college admissions letters will be extremely distracted by the form of their writing as it is now, and most will infer that incorrect conventions are a sign of weak ideas and arguments. If this problem is not fixed, it will have future consequences for the 15 children in my classroom.

 

What Teachers Really Need: More Collaborative Planning Time

While participating in the Literacy Design Collaborative jurying process at the Southern Regional Education Board Conference this past July, I was blown away by all of the thoughtful, creative, standards-based Science & Social Studies learning modules created by fellow teachers from all over the country. These modules were both content-rich and heavily focused on critical literacy. For example, an 11th grade Chemistry module titled “Nuclear Sustainability” asks students students research the chemistry of nuclear power, evaluate its sustainability,  and write either an editorial or public service announcement persuading their audience of their views.  I was elated to read through the overarching goal and daily tasks because it was exactly the sort of student work production the Writing is Thinking team is advocating for.  

After being awe-stricken by the rigor and quality of the modules, I immediately began trying to estimate how much time the modules would take to plan. It was clear that they took hours upon hours upon hours. I know that when I create a unit plan or lesson plans that are intended to be shared with others, it takes me FAR longer than when I simply plan in isolation for just me and my students.  As a teacher, I view planning time as my most precious commodity – and the bottom line is that there is not enough time for me to plan during my work day. I must take time in the early morning, during the evenings, and on weekends to plan. This is unsustainable, and often leads me feeling burned out by around November of the school year. Also, I’m always planning alone. Work products are always better when more than one brain is thinking about it. In order for our public education system to improve, teachers need adequate time embedded in our work day to be able to collaborate and create top-tier, standards-based lesson plans that can be shared with educators all over the country.

It’s been my experience that a school system’s response to meeting the needs for planning is creating central-office positions around curricular design. What I’ve seen come out of these positions is a massive scope & sequence that provides a checklist of the content that must be “covered” throughout the year. I haven’t found these to be very helpful because at its core, teaching is a creative profession. Creating plans and adjusting them based on student needs is the crux of our work. What we need is time. Time to be thoughtful about how to modify and make curriculum accessible for ELLs and Students with Special Needs. Time to work with our colleagues to make our  plans better. Time during our work day to write, edit, and revise our plans collaboratively. Time to ensure that we are incorporating writing across the curriculum (even in math and elective class!). Time to collectively analyze student work and develop hypotheses around why students may or may not have been successful. Time to adjust our practice when student work tells a particular story. We need more time together as adults to create a strong professional learning community.

It turns out there is a wealth of resources to support teacher meetings so that they are fruitful and productive. I had the pleasure of learning about these great tools this summer during a week-long seminar with education consultant Gene Thompson-Grove and the School Reform Initiative, where we were given the tools of protocols to help structure meetings so that they ensure real work gets done. Whether it’s getting feedback on curriculum, analyzing student work, or digging deeper into a dilemma a teacher is facing, there are protocols designed to structure these important conversations.  From this, I learned that authentic teacher-driven professional learning communities are a means for us to really improve adult learning and thus directly improve student learning.

Some people may be asking, but wait – don’t teachers get planning time? As a member of the Boston Teacher’s Union, I am currently allotted 48 minutes per day for planning. I feel lucky to even have it, as I know that many teachers across the nation do not. The reality is, I do not usually spend this time planning. On any given day, you will find me calling parents, making photocopies, catching up on emails, rearranging desks for student groupings for my next class, or attending IEP and other mandated meetings. This amount of time during the day is not enough to be the practitioners our students, families, and communities need us to be. We need more of it, and we need to collaborate during it.

This upcoming year, one of my professional goals is to create a community of adult learners amongst my teaching team. I want us  to spend time during the day, even if just 48 minutes, to have structured planning time so that we may co-create high-quality curriculum, reflect on our practice, and become better teachers together. Hopefully we will be able to collect enough evidence to prove that this time is valuable. I’m hoping to enlist  their help in creating some LDC modules targeted toward our ELL level 1 and 2 students.  I’ll be sure to keep blogging my progress…stay tuned!

Writing Is Thinking Creates Rigorous Writing Opportunities for ELLs and Students with Disabilities.

The following is Jennifer Dines’s elaborated speech for the WritingisThinking.org Leadership Lab hosted by Teach to Leadthe US Department of Education, and the National Board for Professional Teaching Standards on Friday, June 26th, 2015. 

“What happens when teachers treat students as intellectuals as opposed to intellectually challenged?” – Linda Christensen

In my 8 years of experience as an educator of ESL students with learning disabilities, I have treated my students as intellectuals, and I can tell you that these students are hard workers who are eager to learn and who rise to the challenges placed in front of them.

However, how can we expect this population of students to make progress towards college and career readiness when they are placed in schools that provide inappropriate or non-existent language services, low expectations, and modifications that water down content to its thinnest? Our population of English Language Learners with Disabilities deserves an education that provides them with a full command of language and prepares them to be fully participating democratic citizens.

I want to talk to you today about Nadira Abdirahman. She is currently a sophomore at the Urban Science Academy in West Roxbury and a member of their school debate team. She is a student with an IEP. She is a student considered Formerly English Limited Proficient.

Nadira arrived to the United States from Somalia by way of Kenya in 2008, and she entered the Boston Public Schools as a 4th grader at the Mattahunt Elementary. I first met Nadira when she became my 6th grade student at the Lilla G. Frederick Pilot Middle School in 2010. At that time, she was considered a Level 3 ESL student.

During Nadira’s 6th grade year, she was a very frustrated reader. I recall that ESL was not offered that year, and I remember that Nadira cried several times during independent reading. That year, I did her special education testing, and, after a team meeting, she was placed on an IEP. I don’t think she had a learning disability, but the thinking was that the accommodations, including having someone read aloud to her, would at least allow her a fair chance on the state tests.

During Nadira’s 7th grade year, I asked and was granted permission to teach ESL during the scheduled intervention block, and this provided two hours of weekly ESL instruction to level 3 students. That year, the school district also offered a stipend opportunity for tutoring ELLs before or after school. I re-branded the program as the ESL Scholarship Group, framing the tutoring program as a special honor for chosen scholars.

ESL Scholarship Group
(left) Nadira is in the red hijab, in the back row, far right. Her class is displaying books created at 826 Boston. (right) Nadira is on the right. She and Angely are collecting voter registration forms for a Mock Presidential Election.

Nadira joined the Scholarship Group. For the next two years, this group of 8 seventh and eighth grade students arrived an hour and fifteen minutes early to school to read, write, read about writing, and write about reading. The work we did had nothing added to it to make it “fun” – the students literally sat at a table with me and engaged in reading, writing, and having discussions together. The only incentive was the membership to the group itself and a twice-yearly field trip to 826 Boston, a local writing center, that included lunch at McDonald’s.

We read novels, selections from a literature textbook, and articles from the NY Times. We wrote and published literary analyses, short works of fiction, poetry, personal essays, and letters. The students joined together as a community of readers and writers, and their authentic voices began to emerge as they wrote regularly together and took risks with their writing. The group became a place where students could express the struggles they went through as immigrants finding their identities in a new country. As a seventh grader, Nadira wrote the following personal statement as part of a literary analysis piece comparing her life to the main character Arturo in the Young Adult novel Any Small Goodness:

People say that I’m bold because I wear a headscarf. People say that I’m ugly and they make me feel bad. Bad words and actions can affect my life by making me miserable. I will be so sad about my life, and I feel like I don’t want to live in the United States anymore. I want to live a hole by myself or hide from the world. It puts me into a deep, dark place that makes me really miserable. It makes me feel bad and uncomfortable. When I am around people who don’t have the same religion or culture as me, they think that there’s always something wrong with me. They think that they have to say rude things to me. I don’t make fun of people because of their culture. I could make fun of them, but I have a heart that tells me not to do it. I use my brain before I say anything.

This statement speaks to Nadira’s struggle with preserving her Muslim identity in an American world. I noticed that as Nadira continued to work with our ESL Scholarship group, she strengthened her identity and her voice through her writing. In her 8th grade year, Nadira wrote the following in a letter to Pakistani teen activitist Malala Yousafzai shortly after Malala had been shot by the Taliban:

You and your friends were standing up for your rights. I’m a girl who loves my rights and my education. I love my rights to do as I wish. The fact that you have to fight for your rights and get hurt for it makes me sad and furious because the Prophet S.W. said that if we want something for ourselves, we should also want it for our brothers and sisters. I also felt miserable that the Taliban is calling themselves Muslim, but they won’t let you get educated. In Muslim culture, education is very important.

The ESL scholarship group became a place for English Language Learners to come together to share the common bond of learning a new language and to better navigate their immigrant identities – learning how to exist in unfamiliar English language which is not the language their mothers use to wish them good night or to scold them if they’ve been naughty.

In Nadira’s 8th grade year and the year following, I was able to teach a daily block of ESL levels 3, 4, and 5, as the school had created a five day per week intervention period. Many of my students from these ESL classes received excellent scores on their WIDA assessments, and they continued onto high school without the label of being an ELL.

While I am proud that my demand to provide ESL instruction for students during the school day was finally met, I do not think that I should have had to have been such an advocate for this instruction. ESL services are supposed to be mandated for our students. Yet they are often viewed as simply time spent with a teacher licensed in ESL or just another literacy block or something that intermediate and advanced ELLs don’t really need because they sound fine when they are speaking.

It is essential that teachers are prepared to deliver instruction that will propel our students forward, not hold them back. Our English Language Learners with and without disabilities arrive at school eager to learn and are ready to rise to the challenges presented to them. They are not intellectually challenged – they are intellectuals.

Using Songwriting in the Classroom

It’s eight in the morning, and every student is singing.

Across the classroom and in the hallways, groups of students are dancing, arguing, laughing. Over the last twenty-four hours, they have practiced at school, at each other’s houses, even over video chat. Soon, they will perform original songs for the class.

What topic inspired such fervor? An unlikely suspect: the Ganges River.

I often bring music into my fifth and sixth grade social studies classes, and I’ve even written a few songs for students. But I rarely asked students to write songs themselves. It’s too unpredictable, I’d thought. Too unstructured and challenging for most kids.  But here we were on a Friday morning, just a few hours away from the students’ performances about a river in India.

How did it go? You can see for yourself:

Something about writing songs resonated with the students in a way that essays and study guides can’t match. For this reason, I believe songwriting in the classroom is worth exploring, particularly for honoring the strengths and needs of English language learners and students with disabilities.

Writing SAM Songs

The method I have developed and used for teaching songwriting is called “SAM Songs.” The graphic organizer for students is below:

SAM Songs Student Organizer

The project will take at least three class periods: two for writing and one for performances.

Class One:

  1. To introduce the project, ask your students to share their favorite songs. After hearing from your students, tell them, believe it or not, they have the chance to sing these songs in class. Explain that you are trying something new: students will be writing songs to learn, and they will perform these songs for one another. Help students envision the project with an example. For instance, you might show students the “No Taxation Without Representation” clip from the above video (3:44 to 6:03) or “Dump It Off” below:
  1. Introduce the guiding question for the project. This is what students will answer with their songs. The question, like an essay prompt, should require research and critical thinking. For example:
  • What were the causes and effects of the Boston Tea Party?
  • When should a person use estimation?
  • What are the major sources of renewable energy, and how do they work?
  • How does daily exercise affect the body?
  • In what ways can an author establish mood in a text?
  1. Tell your students to include relevant vocabulary (“Say”), take perspectives (“Act”), and use motions to reinforce vocabulary (“Move”) in their songs. If you plan to grade the songs, introduce the rubric.
  2. Allow students to form groups of three to four and begin researching. From my experience, letting students choose their groups keeps students invested in the project and happy with their teammates.

During the songwriting process, students will be loud. They will move around. Some groups will follow the process faithfully, while others will excitedly start picking a song to parody. My advice: embrace the energy, and have faith in your students. The creative process will look different for everyone, and I’m always impressed by what my students accomplish. Students will sometimes ask for help when they are searching for just the right words or trying to explain a concept clearly. With some exceptions, I tell them, “That sounds challenging. I know you can figure it out.” Sure enough, most students do.

Class Two:

Students create motions to reinforce the meanings of words.
Students create motions to reinforce the meanings of words.

Students continue writing and rehearsing. During this time, look over students’ lyrics, ask students to show you motions for particular words, and challenge students to incorporate relevant vocabulary into their songs. If students finish, they can practice and give other groups feedback. Before class ends, encourage groups to make plans for practicing outside of school.

Class Three – The Performances:

While students rehearse for five minutes, make a stage area and prepare any music tracks on your computer or phone. Assign one student to start music tracks and another to film performances.  After each performance, take a few audience shout-outs before moving on to the next performance. Later, you can show videos of the performances. Students love watching these, and it’s a great way to wrap up the project.

Benefits for ELLs and SWDs

From my experience, songwriting has three clear benefits for English language learners and students with disabilities:

Combines speaking, listening, reading, writing, and moving

When songwriting, students speak, listen, read, write and move, and in a way that comes naturally to the activity. If I’m writing a song about the Himalayas, I’m writing the word Himalayas, saying it, reading it, hearing students around me say it, and doing a motion that relates to the word.  I also repeat the word many times because I am practicing for my performance. For an ELL or SWD, what could be more immersive than this?

Makes misconceptions visible

When students use motions in their songs, you can see students’ understanding, or lack thereof. For instance, for the Ganges River project, one group was singing about Indians praying in the river. As they sang, the students made a cross with their fingers, despite having learned that most Indians are Hindu, not Christian. It signaled to me that something was misunderstood: Hinduism, praying, or the meaning of the cross symbol. This misconception was unlikely to appear in ordinary writing.

Supports engagement

Perhaps the most important benefit of songwriting for ELLs and SWDs is how engaging it can be for these students.  Students who have trouble sitting still are out of their seats, singing and dancing. English language learners are explaining ideas and using vocabulary without fixating on grammar and syntax. And songwriting is challenging for all students. When ELLs and SWDs see that they aren’t alone in the struggle, they feel up to the challenge.

I was at the copy machine one afternoon, the day before students performed their songs. One of my students, a former ELL, ran up to me in the hallway.

“Yes?” I asked, surprised.

The student, out of breath, replied, “What’s the place where Hindus pray?”

Earlier that afternoon, I asked my students how songwriting made them feel. One student who has a  disability gave this answer:

“Like I woke up. Like I’m covered with lava!”

(I checked with the student later, who assured me that this is a good thing.)

These are the kinds of moments we all hope for as teachers. Through songwriting, we have the potential to engage all of our students – ELLs, SWDs, and their general education peers. Imagine what is possible when all our students “wake up.”

Ben Leddy teaches fifth and sixth grade Social Studies in Boston. Ben presented at 2015 Boston EdTalks, where he introduced the SAM songwriting method for using songs in the classroom. For more information or inquiries, visit www.benleddy.com, or email Ben at benjamin.leddy@gmail.com.

Creative Commons License
“Using Songwriting In the Classroom” by Ben Leddy is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Building Vocabulary: Using Project-Based Learning to Understand Organelles and Their Functions

Introducing students to the invisible world of microscopic life has always been one of my favorite scientific investigations. Students broaden their understanding of the surrounding world by examining tangible evidence of scientific concepts that cannot be proven with standard empirical observation. For example, students are taught that all plants are made up of multiple cells, but this concept is not made real until they see the layers of green bricks that construct a small portion of a leaf they found outside. The deeper they look, the broader the scope of science becomes, and with that depth comes an array of new terms and concepts that must be acquired. In this investigation, students had to stretch their understanding beyond the magnification of the microscope, and demonstrate knowledge of new invisible structures that made up cells: organelles.

As I began to develop my lesson plans, I found myself staring into the unknown as my curricula no longer served as a map to our final destination. According to the Massachusetts science standards, students must learn to identify the structure and function of organelles in a cell, but the district-provided curricula does not offer a way for students to meet this standard. In order to prepare my lessons, I needed to independently research the content and create instructional materials for this

This is a sketch I found on the classroom floor while cleaning after school. Polysemous words like
This is a sketch I found on the classroom floor while cleaning after school. Polysemous words like “cell” are challenging for many ELLs, and I was proud to see the spontaneous use of creativity and humor to display a complex concept.

portion of the unit. Students not only had to master novel scientific language, but they needed to use this language to describe how organelles interact to create the smallest unit of life. I knew that students needed a creative approach to mastering these novel terms, one that would help them demonstrate their mastery both using oral and written language. After conducting research and consulting colleagues, I decided that the best way to accomplish this task would be to have the students work on a project in which they either would build a cell model or create a poster that demonstrates how organelles are analogous to other systems.

This project-based learning approach proved to be an engaging strategy that allowed students to actively synthesize information, rather than just practice rote memorization of cell parts. At the center of this project was a two-fold writing process. As students constructed their project, I asked them to to write about the function of each organelle in order to learn about the cell. Later, I required that they demonstrate their knowledge by completing a writing assignment that asked high order thinking questions around organelles in plant and animal cells. This powerful process gave me insight into my students’ learning and helped me to better understand the ways in which I can support the English Language Learners and Students with Special Needs in the classroom.

The Project

I was nervous during the onset of this project, as I had never attempted an artistic, open ended assignment like this in my class. My supplies were limited, and it required a great deal of imagination and effort from each student to complete construction of cell model. Students needed to bring in materials from home to complete the task and had to rely on their own understanding of cell structure to complete the project.  I was afraid that, while students were able to construct a model or build a poster, they would get caught up in the creative process and not internalize the names and functions of the cell. These fears subsided soon after the project began.

Early in the lesson planning process, I realized that the key to a successful project would be in providing a clear objective. I developed a rubric that ensured all students were able to write about specific organelles and allowed students to either focus on a model of a cell, or create a poster that served as an analogy of the functions of the organelles. This level of choice provided an opportunity for students to select their own accommodations, and this freedom ultimately resulted in a higher level of engagement. In fact, some students decided to go beyond the assignment and merged the two projects by constructing cell analogies in a model form.

In the end, four types of projects emerged:

The Cell Analogy Model

A small group of students had their heart set on building a model, but wanted to go beyond constructing a replica of a cell. This resulted in these students creating PhotoGrid_1432689212260their own “Hybrid Project” in which they took elements from the Cell Analogy poster, and combined it with the 3-D model aspects of the cell model project. Two groups built a Cell City, where different city structures represent parts of the cell, while another student worked independently to show how a cell is like a family inside their home. In all cases the students that took on this ambitious project were my top performing students, and they had no problem demonstrating they had mastered the material, orally and in written form.

Cell Analogy Poster

Not very many students chose to create a cell poster, but those who did gained and in-depth understanding of the cell functions. Students that had a better understanding of different organelles gravitated to this project, and the results were impressive. Students were able to personalize the project and allowed for a different type of creativity than building a 3D model. In one particular project, a group of English Language Learners was able to match the attributes of their favorite futbol players to organelles in the cell. I knew nothing about these different players, and they took pride in being able to teach me about the player’s strengths and relating all their knowledge back to how organelles function in a cell. My favorite analogy was their comparison of mitochondria to Eden Hazard who serves as the “power house” of the team.PhotoGrid_1432688608468

Poster AD

When asked what they meant by “power house” they said that he gave his teammates energy on the field, just like mitochondria in a cell. Overall these students did an excellent job of orally explaining the cell functions, and the formative written assignments were thorough. The summative assessment showed that 4 out of 5 of the students who completed this project demonstrated knowledge of organelle functions, while all of the students could write about the differences between plant and animal cell organelles.

Cell Model

A vast majority of students decided to build a 3D model of a cell out of household items and recycled trash. Working in pairs forced students to use the technical language as they discussed the materials they would use to build each part. One of the most inspiring moments was listening to a group of intermediate ELL students debate over what should be used to construct a vacuole in their plant cell. They ultimately decided on a water bottle as it was the right size and actually held water as it would in the cell. Overall, students scored very well on the oral assessment PhotoGrid_1432776640536(with the exception of the only homogenous ELL group), as well as the formative written assessment. In the oral assessment, I found that the majority of students were able to correctly identify and pronounce the names of various organelles, and explain their function in the cell. This process was done without the aid of any written content. The homogenous ELL group however, struggled with recalling the names of the different organelles hindering their ability to correctly identify the organelle functions. During the formative writing assignment, every student was able to create an explanation of each organelle function and match that function to the proper organelle.

Pre-made Cell Cut Out

The fourth type of project was one that had all the organelles of a plant cell and an animal cell already prepared with labels and explanations. The students had to cutPhotoGrid_1432776322030 out the organelles, place them in the correct cell, and explain their function to me in the oral assessment. This project was created to help two of my students with more intensive special needs overcome the executive functioning demand that is associated with managing a vast array of materials. This simple accommodation proved to be valuable, and allowed those students to work independently on accomplishing the same objective as the rest of the class.

Conclusion

Planning this assignment was not easy, but after the initial heavy lift, I found it to be worthwhile. The writing component that accompanied the project demonstrated student understanding of each organelle and their function, and the oral component offered deeper insight into aspects of the assignment that challenged students.

One week after the project was complete I gave a written assessment in which the students had to identify the function of different organelles and write about 3 differences between an animal and a plant cell. While grading this test, I immediately identify a crucial mistake in planning the project: I did not provide a pre-test by which I could accurately measure growth.

PhotoGrid_1432848278237
This is a writing sample from one of my top performing general education students. This student decided to construct a 3-D cell model.
PhotoGrid_1432848098706
This is a sample from a English Language Learner who is also on an Individual Education Plan. While he did not score high on the oral portion of the exam, he did very well with recalling vocabulary and key differences between plant and animal cells.

While I was pleased with how well the class did overall, I could still see a gap between my ELLs and other students. A pretest however would help put this gap into perspective, as I would be able assess the gains of each individual student after the project was completed. It would be naive of me to believe that one project-based learning assignment would erase the gap, but this experience has shown me the value of project-based learning.

These few days were filled with qualitative and quantitative data that amounted to tangle learning in my classroom. The hours of engagement, the rich level of content-based discussion, and the higher order thinking exhibited during this project serve as strong evidence that combination of writing techniques and project-based assignments will result in measurable learning for all students.

Below you can find the Rubrics used in this Project:

Cell Anology Poster Rubric

Cell Model Rubric